10.28.2009
The Singer of Tales
10.20.2009
See you tonight, Johnny!
10.19.2009
Other Worlds
“I would say Oist music is mostly rooted in Sun Ra's music. His music was a very particular mix of american classic jazz with ritual improvisation, traditional influences and avant-garde sounds, a strange type of futurist Exotica. Oist music has also a ritual function. It is rooted in american popular culture, there's a lot americana in it, but it is mainly improvised and the vocal part of it is very specific. I love Pygmy music, for an example: it is maybe my favourite music. I don't understand why people are always singing the same way.”
Jim Shaw in discussion with the author about A Tone, Meant for Your Sins, a musical performance soon in Turin on the occasion of "Blinding the Ears"
Other worlds:
V/A, from Gabon, Musiques des Pygmées Bibayak, Dialogues avec le esprits (1996)
Sun Ra, from Lanquidity, There Are Other Worlds (They Have Not Told You Of) (1978)
Secret Chiefs 3, from First Grand Constitution, Assassin's Blade (2000)
Exo'ism
Jim Shaw, Dream Object (Elephant Trunk), 2007
“I would say Oist music is mostly rooted in Sun Ra's music. His music was a very particular mix of american classic jazz with ritual improvisation, traditional influences and avant-garde sounds, a strange type of futurist Exotica. Oist music has also a ritual function. It is rooted in american popular culture, there's a lot americana in it, but it is mainly improvised and the vocal part of it is very specific. I love Pygmy music, for an example: it is maybe my favourite music. I don't understand why people are always singing the same way.”
Jim Shaw in discussion with the author about A Tone, Meant for Your Sins, a musical performance soon in Turin on the occasion of "Blinding the Ears".
Other music:
"Gabon, Musiques des Pygmées Bibayak", Dialogues avec le esprits (1996)
Sun Ra, from "Lanquidity", There Are Other Worlds (They Have Not Told You Of) (1978)
Secret Chiefs 3, from "First Grand Constitution", Assassin's Blade (2000)
Secret Chief: Remember Charles Harrison (1942-2009)
"I certainly wouldn’t want to defend difficulty for its own sake. But in a world in which what seems to be expected is instant ease of transmission, it seems important to stress both that the work of critical cultural production tends to require a degree of exertion, and that a matching concentration may be required to recover what’s of value in art – as in much else. […] As regards the practice of Art & Language, however, it can be said that the objects that practice has generated – whether textual or pictorial or whatever – have generally been difficult to describe, and often contradictory in their apparent direction. They are consequently frustrating of attempts to escape from their internal detail into the vocabulary of cultural topicalisations. This may not have been good for business, but it has certainly been good for me. The need to confront the difficulties in question has remained central to my education as a writer on art over the course of nearly forty years."
From Christopher Heuer and Matthew Jesse Jackson interview Charles Harrison, in InterReview 08
10.12.2009
In the House of Mirrors : Remember Hector Zazou (1948-2008)
On September 8th, it has been one year that Hector Zazou (b. 1948) died in Paris. Zazou, a.k.a. Pierre Job, was a French composer, musician and producer kown for his pionneer interest in extra-european music and eclectic approach of composition, in between dark Ambient music and Afro Rock, Contemporary and World Music. He started as an iconoclast member of the French underground Post Psychedelic and Free Rock scene (he has been involved in the Barricade collective in Marseilles in 1969, and then in 1979, "La Perversita's record has been designed by Bazooka/Kiki Picasso). Then, he freely evoluated inside various contexts as Afro Pop ("Noir et Blanc", 1983), World Music (the famous "Les Nouvelles Polyphonies Corses", 1991) and Pop Music with collaborations with people like John Cale, Siouxsie, Jane Birkin, Björk or Brian Eno.
10.06.2009
Lifeless Landcruising & Stiff Raceways
10.02.2009
Synthetic Pleasure II
The Dan Deacon psychedelic videos have been shown at the Anthology Film Archive in 2007.